Articles & Video Archive

- Tacoma Arts Live Featured Pierce County Cultural Organization—Read article
- We Art Tacoma Podcast Interview with Dr. Kimberly Keith August 2020—Listen on Spotify
- Tomorrow’s Craftsmen and Craftswomen: How an assortment of retro-innovative programs are training the next generation of artisans—Read article
- Spotlight of Kimberly Keith by Graduate Tacoma—Read article
- Biot-Tacoma School Exchange – French students stories of Tacoma. Created by the cohort of French students who visited Tacoma in spring of 2018—View the digital magazine.
- Pilchuck Glass School: Immersive Glassmaking Retreat for High School Artists—Read article
- MultiCare Healthy Futures: Hilltop Artists—Read article
- Suburban Times: Hilltop Artists – Better Futures Luncheon—Read article
- Hilltop Artists Day! May 2017—Read press release
- South Sound Talk: A Sunday Afternoon at Edgewood Garden—Read article
- Exit 133: Hilltop Artists Has Launched a $62,000 Generosity Crowdfunding Campaign—Read article
- Exit 133: Common Threads A Glass Exploration of Kantha Embroidery—Read article
- Tacoma News Tribune: Critic’s Picks—Read article
- Radish: Hot Glass—Read article
- Tacoma Weekly: The Things We Like—Read article
- Showcase Magazine: beautiful art + engaged kids = the community wins—Read article (page 19)
- Tacoma News Tribune: Tacoma glass artists create Cinderella-worthy glass pumpkin—Read article
- Tacoma News Tribune: Get Out National Night Out Events—Read article
- Tacoma News Tribune: Critic’s Picks—Read article
- KING 5 News: ‘Faces of Courage’ inspires young hospital patients—Read article
- BBC Pop Up: Saving Tacoma Through Glass—Read article
- Tacoma News Tribune: BBC pops up to make videos about Tacoma—Read article
- Education NOW: Respect—Read blog post
- Tacoma News Tribune: Dale Chihuly helps Hilltop Artists celebrate 20th Year—Read article
- Tacoma Weekly: Sister Cities Trade Student Artists—Read article
- Exit 133: Hilltop Artists Celebrates 20th Anniversary at Museum of Glass September 13, 2014 – February 1, 2015—Read article
- At-Risk Glass Connection: Measuring Success: How Hilltop Artists Tracks its Effectiveness—Read article
- Urban Glass: At-Risk Youth Summit—Read article
- Exit 133: Hilltop Artists has launched a $30,000 IndieGoGo campaign for new glassblowing equipment—Read article
- Tacoma News Tribune: Hilltop Artists mark 20th Anniversary—Read article
- Tacoma Arts Blog: Glass for Good—Read article
- Tacoma News Tribune: Go Arts 4.8.14—Read article
- Tacoma News Tribune: Rise and Shine—Read article
- Post Defiance: The Short and Spectacular Life of the World’s Largest Pumpkin—Read article
- Tacoma Arts Blog: 2013 Tacoma Studio Tour Preview- Part 4—Read article
- Puget Sound Trail: Chihuly, students make art—Read article
- MultiCare Blog: Dale Chihuly Visits Mary Bridge To See Hilltop Artists Glass Work—Read article
- Tacoma News Tribune: Glass squid and octopi adorn the new Mary Bridge expansion in downtown Tacoma—Read article
- MultiCare Blog: Students With Hilltop Artists Install Glass Art At Mary Bridge—Read article
- Tacoma Weekly: Anchor Fund—Read article
- Tacoma Weekly: Be the Spark—Read article
- Urban Glass: Three Hilltop students exhibit work at Vetri Glass in Tacoma—Read article
- Tacoma Weekly: Local Arts Advocates Honored with Amocat Awards—Read article
- Urban Glass: Glass Training for Underprivilaged [sic] Kids Offered at Hilltop Artists in Residence—Read article
- Tacoma Weekly: HART CONTINUES TO REACH OUT DURING OFF-SEASON—Read article
“Arguably” — An essay by Executive Director Dr. Kimberly Keith
Arguably”
An essay by Executive Director Dr. Kimberly Keith
“Arguably…” As an academic, I have a love/hate relationship with the word arguably.
It’s the polite way to say “I have an opinion that I believe is true, but I know that you also have an opinion that you believe is the truth, and our opinions may not be in agreement, so I will leave room for us to argue about it”.
But rarely do we get to argue, or debate, or discuss, our differing opinions. Sometimes it’s because there’s no time or place to do so, and sometimes it’s because our positions are so entrenched there’s no safe time or place to air our grievances. So we continue to hold our diametrically opposed views. We do this as individuals, as cultural and political groups, as nations, as creeds. And we pass our views down from generation to generation, infinitum. Until someone or something forces us to take a stand.
One year ago George Floyd was murdered. He was murdered by a police officer who was supposed to serve and protect him. George Floyd was African American, which was arguably a factor in his death (the sheer number of black people shot by police in the US over the past few years points towards race being a factor, whether we argue about it or not).
The former officer who killed him was Caucasian, and the privilege extended from that condition arguably contributed to Floyd’s murder (Google “white privilege” to learn about the myriad beliefs and behaviors it endorses, then decide whether this point is worth arguing).
The color of our skin can summon a death sentence or provide a license to kill, and this is as true today as it was one year ago… fifty years ago… three hundred years ago… and there is no need to argue this point because the proof is on our nightly news, in our own communities, in our history books, in our country’s founding documents.
Black people were considered 3/5ths of a person in the Constitution of the United States. What we are experiencing today is a direct result of that declaration and the imperial/colonial/capitalist beliefs and practices that preceded and informed it.
Our complex history has brought us to this moment in time.
Systemic racism, social inequality, and economic inequity are real circumstances that must be recognized and fought, although some would argue that those conditions do not exist. These differences in opinion, history, circumstance, and capital continue our arguments from generation to generation, year to year, until they become entrenched, systemic.
George Floyd’s murder was a catalyst, inspiring worldwide examination of the deadly, tragic consequences of systemic oppression. In our own community, this examination hit home. In September 2019, Bennie Branch was shot and killed by a Tacoma police officer. On March 3, 2020, Manuel Ellis was killed by Tacoma police officers. On May 1, 2020, Said Joquin was shot and killed by a Lakewood police officer.
The families and communities of Bennie, Manny, Said, and George all deserve justice and reconciliation.
I’d like to turn to our mission to show which side of history Hilltop Artists is on. Our mission is “using glass art to connect young people from diverse social and economic backgrounds to better futures”. This implies that diversity is a factor in achievement, which is true based on the history of race I’ve offered here.
Hilltop Artists is committed to ensuring that youth who are furthest from advantage can get to their best futures through participation in our programs. We recognize inequity and inequality in the world at large and aim to create balance with the programs we provide. We see a lack of diversity in the arts sector broadly and in the field of glassmaking in particular, and we strive to address this through the students we engage.
On the surface, we look like an arts program that teaches skills and promotes appreciation for the craft of glassblowing, flameworking, and related techniques. But we are actually in the business of breaking down barriers, building up the resilience of individuals, and making the world a better place, one student at a time.
George Floyd could have been a Hilltop Artist. Our job is to make sure that none of our students become the next George Floyd, Bennie Branch, Manny Ellis, or Said Joquin.
We stand in solidarity with all who believe Black Lives Matter, and we send our condolences and support to George Floyd’s family. We invite all of our Hilltop Family to join us in the fight against racism and in the quest to make the world a better place.
Faithfully yours,
Dr. Kimberly F. Keith
Executive Director